COMPUTER IMAGEMAKING
Fall 2009 • Grand Valley State University
Professor Jennifer Proctor
*Email is the best way to reach me except during office hours. When sending email messages, please use proper grammar, punctuation, and spelling.
REQUIRED TEXTS
Williams, Robin, The Non-Designer’s Design Book, Peachpit Press: 2008. (“NDDB” in schedule) http://proquest.safaribooksonline.com.ezproxy.gvsu.edu/9780321563088
Anderson, Andy and Johnson, Steve, Adobe Photoshop CS3 on Demand, Que: 2007 (“APOD”)
Sitter, et al, Apple Pro Training Series DVD Studio Pro, 2nd edition, PeachPit Press: 2008 (“APTSDVD”)
After Effects Basic Training, Video Copilot (“Video Copilot”)
http://www.videocopilot.net/basic/
COURSE DESCRIPTION
This course will provide an introduction to graphic and motion design on the Macintosh platform with emphasis on Adobe Photoshop, Adobe After Effects, and Apple’s DVD Studio Pro. In considering digital imagemaking, emphasis will be placed on how the computer as a tool affects the communications environment. You must have been accepted to the Film/Video major in order to take this class.
COURSE OBJECTIVES
IMPORTANT NOTE
Some of the programs we will use in this course, especially AfterEffects, can have a steep learning curve. However, the end results are very rewarding, and will benefit you outside of your college career. You will be expected to spend time practicing with these tools on your own, outside of the assignments asked of you, to achieve proficiency. Your own initiative in learning will be essential
COMPUTER USAGE
Do not use class time for Internet or email purposes. Anyone found using class time to read email or explore the Internet (unless part of the class discussion) will be asked to leave class and will receive an absence for that day. The same penalty applies to anyone who answers a phone call or text messages during class.
CLASSROOM BEHAVIOR
It is important that we are able to balance our candor with respect for the ideas or subject matter addressed by the works in this class. The goal in this course is to critique the work, as it stands before us as an audience – not the person who created it. Bear this in mind when critiquing others’ works, as well as when it is your turn to be critiqued.Disruptive and rude behavior—including carrying on side conversations, eating/drinking, using computers for non-class work, arriving late, leaving early, and cell phone calls/texts—will not be tolerated. Food and beverages are not permitted in the lab.
ACADEMIC HONESTY
Responsibility for your own learning is in your hands, and that includes an understanding of and commitment to honesty and integrity in your scholarly work. Violations or attempted violations of academichonesty include, but are not limited to, cheating, fabrication, plagiarism, and submission of the same work for credit in different courses without permission (also known as self-plagiarism). Plagiarism is the unacknowledged use of another person’s labor, ideas, words or assistance. All work done in this course is expected to be the original effort of the student(s) presenting the work.
Violations may result in failure of the assignment and possibly failure of the course.
ATTENDANCE & PARTICIPATION
This class will move quickly as we tackle multiple tools, platforms, and concepts. Your active participation in class is essential to your learning and the overall thriving of the class. You are allowed two unexcused absences; after that, you will lose three points for each unexcused absence. If you know you will miss class, email me in advance to let me know – failure to do so may result in an unexcused absence. Excused absences include illness, family emergencies, and sanctioned university events; all other absences may be unexcused. In addition, late arrivals and early departures count as 1/3 of an absence for each occurrence. No incompletes will be given in this course.
LATE WORK
I will accept late work up to the next class meeting after the deadline. Your grade will be lowered one grade for each day (not class meeting) it is late. Work will not be accepted after this grace period.
TRAINING EXERCISES
Training Exercises are due on the date specified in this syllabus. Save your training exercise files to the CFV326>Training Exercises folder on MACDATA. Create your own folder using your last name and name each exercise by its name/number (“TrainingExercise1”, e.g.).
GRADING BREAKDOWN
| Training Exercises | 15 |
| Quizzes (covering readings, software, and lectures) | 10 |
| Presentation | 15 |
| Assignment #1: Title Sequence | 15 |
| Assignment #2: DVD Menu | 15 |
| Assignment #3: Final Project | 20 |
| Participation | 10 |
| TOTAL: | 100 POINTS |
*Please note that while I am happy to discuss your grade, my policy is that you must wait 24 hours after receiving a graded assignment back before approaching me with questions or concerns.
PROPOSED SCHEDULE (subject to change)
WEEK/DATE |
ASSIGNMENTS DUE |
ACTIVITY |
|
1 |
9/1 |
Introduction to Computer Imagemaking Computer logins Background questionnaire |
|
9/3 |
“Text” by Ellen Lupton from thinkingwithtype.com (Blackboard) NDDB: Ch. 9 |
Screen Helvetica and discuss |
|
2 |
9/8 |
LABOR DAY RECESS – NO CLASS |
|
9/10 |
APOD: “Getting Started,” “Working with Layers,” “Working with the History Palette” NDDB: Ch. 10 & 11 |
Discuss readings Assign Training Exercise #1: Typography |
|
3 |
9/15 |
APOD: “Working with Layer Styles, “Getting Creative with Type” |
Discuss readings In-class Photoshop work |
9/17 |
Training Exercise #1 DUE APOD: “Working with Adjustment Layers…”, “Understanding Colors…” Ben Bays/Photoshop: http://benbays.blogspot.com/2009/01/photoshop.html “Pictorial Elements: Sets and Graphics” by Burrows/Wood (Blackboard) |
Assign Training Exercise #2: Typography + Graphics Discuss readings Photography in Photoshop |
|
4 |
9/22 |
NDDB: Ch 1 - 6 APOD: “Creating Layer and Channel Masks,” “Using the Paths Palette” Photoshop Cutouts: http://www.indezine.com/products/photoshop/tutors/cutoutinphotoshop.html |
Discuss readings Design examples |
9/24 |
Training Exercise #2 DUE |
Assign Training Exercise #3: Blog Intro to AfterEffects |
|
5 |
9/29 |
“The Incredible Hulk…” http://www.artofthetitle.com/2009/05/18/the-incredible-hulk/ “Catch Me If You Can, Auto Focus, Far From Heaven and the Art of Retro Title Sequences” http://archive.sensesofcinema.com/contents/03/26/retro_titles.html AETuts+: http://ae.tutsplus.com/tutorials/beginner-series/after-effects-for-beginners-getting-started/ Video Copilot: “Introduction” |
In-class After Effects work Assign Project #1: Title sequence Discuss readings Title sequence examples |
10/1 |
Training Exercise #3 due AETuts+: Sections 1 and 2 at http://ae.tutsplus.com/tutorials/beginner-series/after-effects-for-beginners-effects-animation/ Video Copilot: “Animation” |
Assign Training Exercise #4: Kinetic Typography Kinetic Typography examples |
|
6 |
10/6 |
Read/watch: http://benbays.blogspot.com/2008/10/text-effects.html “Text” at http://livedocs.adobe.com/en_US/AfterEffects/8.0/index.html Video Copilot “Rendering” Title sequence proposal DUE |
In-class After Effects work |
10/8 |
Training Exercise #4 due “Animation”: the sections “Creating and Modifying Motion Paths” through “Speed” at http://livedocs.adobe.com/en_US/AfterEffects/8.0/index.html Watch: http://www.adobe.com//designcenter/video_workshop/index.html?id=vid0252 |
Assign Training Exercise #5: Motion and Depth Creating Motion and Depth in 2D Motion Design Photoshop/After Effects Integration |
|
7 |
10/13 |
AE Tuts+: Section #4 at http://ae.tutsplus.com/tutorials/beginner-series/after-effects-for-beginners-effects-animation/ Video Copilot “Effects” |
Discuss readings In-class After Effects Work |
10/15 |
Training Exercise #5 DUE “What is Motion Graphics?” http://www.eyemagazine.com/feature.php?id=131&fid=577 |
Discuss reading Historical roots of Motion Graphics Screen examples |
|
8 |
10/20 |
In-class Work Day |
|
10/22 |
Project #1: Title sequence DUE |
Assign Project #2: DVD Studio Pro menu Critiques |
|
9 |
10/27 |
“Video and Animation” in Photoshop http://livedocs.adobe.com/en_US/Photoshop/10.0/ |
Animation in Photoshop Intro to DVD Studio Pro/menu design Assign Training Exercise #6: Animated GIF |
10/29 |
APTSDVD: “Basic DVD Authoring”: Sections “Preparing Your First…” through “Setting up a Simple DVD” |
More on DVD Studio Pro Compression/Compressor Assign Presentations |
|
10 |
11/3 |
APTSDVD: “Advanced Authoring” APTSDVD: “Basic DVD Authoring”: Sections “Creating a Chapter Index Menu” and “Finishing Your DVD” Motion Background Tutorial http://vimeo.com/5900777 |
In-class Work Day |
11/5 |
Training Exercise #6 DUE Read: http://benbays.blogspot.com/2008/09/masks-mattes-and-stencils.html “How Good is Good?” http://www.typotheque.com/articles/how_good_is_good.html Video Copilot “Expressions” |
Discuss readings In-class After Effects work |
|
11 |
11/10 |
Assign Final Project Presentations |
|
11/12 |
Presentations |
||
12 |
11/17 |
Readings TBA |
In-class work day |
11/19 |
Project #2: DVD Studio Pro Menu DUE |
Critiques |
|
13 |
11/24 |
Final project proposal due |
Concept development |
11/26 |
THANKSGIVING BREAK |
||
14 |
12/1 |
Final project style board DUE |
Concept development |
12/3 |
Readings TBA |
Applications of motion graphics - examples |
|
15 |
12/8 |
In-class work day |
|
12/10 |
Evaluations, sum up course, in-class work |
||
16 |
12/17 Thurs |
FINAL PROJECTS DUE8:00 – 9:50 am |
Critiques |